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Chair - Alan Ford

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Alan is our enthusiastic chairman and a very experienced choral and operatic baritone.

 

Whilst studying medicine in London, he sang with the BBC Chorus, participating in many Proms. 

 

As a soloist, he has performed in the Faure Requiem, Dvorak Te Deum and the Vaughan Williams Fantasia on Christmas Carols. Opera roles have included the Vicar in Oxford Opera Studio’s production of Britten’s Albert Herring, Noye in Noye’s Fludde and Falke in Die Fledermaus in Nottingham. Memorably, he was in charge on the bridge as the ship struck the iceberg in Nottingham Operatic Society’s production of the musical Titanic.

 

Alan regularly attended the AIMS International Summer School between 2000 and 2017, performing operatic solo roles in Falstaff, Cendrillon, Albert Herring, A Midsummer Night’s Dream, Trial by Jury, The Bartered Bride, Menotti’s “The Medium” and Sondheim’s “Sweeny Todd”. He has subsequently attended Oxenfoord Summer School where he has had masterclasses with Dame Ann Murray, John Mark Ainsley, and Nicky Spence. He is a member of “Singing Salon”, a group of classically trained soloists who meet under the guidance of mezzo-soprano Pippa Dames-Longworth and invited specialists. 

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He enjoys singing Art Song (especially English) and German Lieder. He has given Recitals at Romsey Abbey, Christ Church, Freemantle, Southampton and Brockenhurst Village Hall. 

 

On November 11th 2022, he performed as a soloist at a Military Wives concert at the Army Flying Museum in Middle Wallop, singing songs written by composers who were killed in (George Butterworth) or hugely damaged by (Ivor Gurney) the Great War. He has given Recitals at Romsey Abbey, Christ Church Southampton, Brockenhurst Village Hall and in Brighton for Sussex Musicians’ Club.

 

Alan also plays the violin and is chair not only of our choir but also the New Forest Orchestra and Brockenhurst Music Society.

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Brockenhurst Choir is a Registered Charity (no 1150575)

Patron:: Sir VInce Cable

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Member of Making Music (The National Federation of Music Societies)

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